The illustration is by Thomas Hart Benton
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Mark Twain's writings embodied the still evolving, complex life of the USA in the 19th century. From river journeys to jumping frogs, his 28 books, stories, and articles were written for adults and read by multitudes of all ages. They were what later became known as crossover books. He deplored and laughed at pomposity and hypocrisy. And his imagination was inspired by, and grounded in, reality.
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A River Fantasy That Became a Classic
Mark Twain said that when the conditions for writing were in place, his imagination did the work and the writing flowed. Huckleberry Finn, his fantasy journey of a white boy and a black man on the Mississippi river must have been born in, and flowed from, his imagination in this way. The book became a classic that crosses the boundary of time.
"It's lovely to live on a raft. We had the sky, up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made, or only just happened- Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many.” ― Mark Twain, The Adventures of Huckleberry Finn
The painting is by Thomas Hart Benton
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Mark Twain. . .the Man from Hannibal, Missouri
"He was also sympathetic to just how absurd and unreasonable the expectations of adults could be. As a boy, Twain himself was a notorious truant who skipped school religiously. He witnessed murders, befriended prisoners and slaves, and attended minstrel shows. Rather than irreversibly corrupting him, these childhood experiences informed much of his fiction. A more “sivilized” upbringing would have bored Twain and impoverished the nation’s literature.
Twain sympathized with education reformers in the 1880s who opposed corporal punishment in schools. But he also sympathized with people who opposed school altogether. Mandatory universal education was a recent development at the time, and Huck represents the impossibility and undesirability of forcing all children to attend school. . .
Twain himself was only willing to go so far in his public statements about race. He decried racism and slavery privately, and he knew that the sympathetic depiction of the character Jim in Huck Finn might limit his readership in the Southern states. . . Late in life, Mark Twain wrote a devastating and outraged essay called 'The United States of Lyncherdom,' but he withheld its publication until after his death." -- Nick Romeo in the Daily Beast
The illustration by E.W. Kemble is from the first edition of Huckleberry Finn.
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Huckleberry Finn . . .excerpted from an 1885 review
" In Tom Sawyer we saw Huckleberry Finn from the outside; in the present volume we see him from inside. He is almost as much a delight to any one who has been a boy as was Tom Sawyer. But only he or she who has been a boy can truly enjoy this record of his adventures, and of his sentiments and of his sayings. Old maids of either sex will wholly fail to understand him or to like him, or to see his significance and his value. Like Tom Sawyer, Huck Finn is a genuine boy; he is neither a girl in boy's clothes like many of the modern heroes of juvenile fiction, nor is he a 'little man,' a full-grown man cut down; he is a boy, just a boy, only a boy. And his ways and modes of thought are boyish . . . so Mark Twain understands the American boy, and especially the American boy of the Mississippi Valley of forty or fifty years ago. The contrast between Tom Sawyer, who is the child of respectable parents, decently brought up, and Huckleberry Finn, who is the child of the town drunkard, not brought up at all, is made distinct by a hundred artistic touches, not the least natural of which is Huck's constant reference to Tom as his ideal of what a boy should be. . ."
Cover by E.W. Kimble
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
Mark Twain -- Preface to Huckleberry Finn
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Huck Finn's America
"No book (Huckleberry Finn) is as regularly ransacked. Bowdlerized, when not outright banned, from the moment of its publication in 1884, it has been read like a rune and interrogated for its embodiment of American anxieties about race and freedom and language, the call of the open road (or river). 'The brilliance of Huckleberry Finn,’ Toni Morrison wrote, 'is that it is the argument it raises.'. . .
Mr. Levy is excellent on Twain, on his drawl, his gait, his evolution on race matters — from youthful racism to passionate believer in the reparations owed former slaves — and even better on his contradictions. Twain, Mr. Levy reminds us, a friend to Frederick Douglass and benefactor of black college students. . . "
Parul Sehgal in her review of Huck Finn's America by Andrew Levy
The photo of the Mississippi river is courtesy of 1 Mississippi, Blue Stem Communications-
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"Reader, suppose you were an idiot. And suppose you were a member of Congress. But I repeat myself.” -- Mark Twain
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Opinions of Huckleberry Finn by Four Writers
“It is an American epic and one that supplies an understanding of the country." (Waldo Frank, W. H. Auden)
"I believe that Huckleberry Finn is one of the great masterpieces of the world. … To say that some of the plotting of Huckleberry Finn is imperfect or that some of the episodes are unconvincing is as irrelevant as it would be to complain, as one critic did, that Coleridge’s Ancient Mariner was ‘improbable.’” (H. L. Mencken)
“There are, indeed, incoherencies in Huckleberry Finn. But the book survives everything … all is imbedded into a powerful mythic image.” (Robert Penn Warren)
From an article by Professor Tom Quirk, University of Missouri in Mizzou
The illustration is by Edward Ardizzone.
Here is a link to an excellent, brief (3:19), and insightful video biography of Mark Twain.
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From the Mississippi to the Yellow Brick Road
The painting of the Medicine Man is by Morgan Weistling.
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L. Frank Baum's The Wonderful Wizard of OZ was an original fantasy. It was also a reflection of life in nineteenth century America, a time of ongoing growth and change, of invention, railroads, and possibilities. It was a time of optimism and turmoil, of hype and hope.
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Go West Young Man
After his marriage to Maud Grange, the problems of family finances, and the call of opportunity in the ongoing opening of the West, took Baum from the east to Aberdeen, Nebraska (1888-891). Unfortunately, this was a time when a great drought and concurrent hard economic times would shadow his efforts to start a new life.
In Aberdeen, he opened an ill-fated retail store that subsequently failed. He then opened and wrote a weekly newspaper, the Aberdeen Weekly Pioneer. This was a logical step as he had written frequently since boyhood, including a variety of newspaper jobs. Despite his efforts, the newspaper was unable to support Baum and his family of four sons.
The great drought in Aberdeen was to later influence Baum's description of Dorothy's world in Kansas. Here is an excerpt from the opening of the Wonderful Wizard of Oz:
"When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere."
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Moving On
The family, now with four sons, moved to Chicago (1891) where Baum wrote for the Evening Post. He also created, wrote, and published a trade publication, The Show Widow. This was during the time period when the City of Chicago presented the largest world's fair in the world, the Columbia Exposition (1893). A world of marvels, abounding in neo-classic beaux arts architecture, the fair was a celebration of the American experience. It was visited by 27 million people and is thought to have been an inspiration for the Emerald City of Oz.
Baum's fortitude finally brought him success and fame. Mother Goose in Prose, in 1897 was his first successful book. The illustrations were by Maxfield Parrish. His next book, Father Goose in Prose, in 1899, was an even bigger hit, and best selling children's book of the year. The illustrations by WW Denslow were an important part of the book's success. Baum was on his way.
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"Give me your tired, your poor,
Your huddled masses longing to be free..."
From the poem the New Colossus, by Emma Lazarus(1847-87)
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The Wonderful Wizard of Oz was published in 1900,and also became the #1 best selling children's book for that year. Many sequels followed over the years (14 to 17 -- reports vary) and over 40 other books under a variety of pseudonyms. A play, produced in 1902 of the Wizard of OZ was a big hit and toured the USA.
Like Lewis Carroll and Hans Christian Andersen in Europe, Baum created an original fantasy that broke with the past. Traditional fairy tale elements -- an arduous journey, overcoming dangers, abundant magic, a hopeful ending -- are major elements in the story. However, Baum also created a highly imaginative and original tale, highly influenced by the non-stop events in 19th century America. The book was, of course, the inspiration for the iconic movie of 1939 with one major difference: the events in the book really happened, whereas the the events in the movie were Dorothy's dream.
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Turning Point
Just when it looked like evil would triumph.. .
"But Dorothy they did not harm at all. She stood, with Toto in her arms, watching the sad fate of her comrades and thinking it would soon be her turn. The leader of the Winged Monkeys flew up to her, his long, hairy arms stretched out and his ugly face grinning terribly; but he saw the mark of the Good Witch's kiss upon her forehead and stopped short, motioning the others not to touch her.
'We dare not harm this little girl,' he said to them, 'for she is protected by the Power of Good, and that is greater than the Power of Evil. All we can do is to carry her to the castle of the Wicked Witch and leave her there.' "
L. Frank Baum -- The Wonderful Wizard Of OZ
The illustration is by W.W. Denslow.
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The Visionary is Made Commonplace
“In Oz, turn- of- the- Century America (be it Chicago or California), becomes a visionary landscape, and at the same time the visionary is made commonplace. In Oz, a familiar thing like a scarecrow is magically a person, and at the same time, a magical person like the wizard is actually a balloonist from Omaha.” -Jerry Griswold, Audacious Children
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Movies
Christopher Robin
The consensus seems to be that there are shortcomings to this movie, but that the wonderful charm of the original characters prevails.
"Even though the story around him is at times questionable, the performance and realistic animated rendering of this character is the perfect distillation of Winnie-the-Pooh's essential, philosophical self."
Excerpted from the review by Katie Walsh, Tribune News Service.
Here is a link to the trailer for Christopher Robin
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I've read many reviews and this appears to be a light, sentimental movie for people who find small dogs endearing. Here's an excerpt from Tomris Laffly's review on Roger Ebert.com:
"Anyone who's ever felt altered by an animal companion will easily find something to love in this shamelessly happy, defiantly nice film." Here is the trailer for Dog Days.
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Ottawa Therapy Dogs
"Humans and animals share a powerful bond. That bond can be a source of comfort, peace and relief for those who suffer from physical or emotional pain. Handlers volunteer with their therapy dogs to improve clients’ physical, emotional and communication abilities. Therapy dogs can sometimes achieve results when other therapies have failed. Some of the healing benefits of therapy dogs include reduced blood pressure, anxiety, stress and loneliness."
The wonderful work done by Ottawa Therapy Dogs ranges from hospitals and palliative care facilities to schoolrooms. Here is a link to a video to see their R.E.A.D. program helping kids to become readers.
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Ever Onward...
The Fight Against Gun Violence Continues. Here is an update by Lois Beckett in the Guardian
"To vote National Rifle Association-backed candidates out of office, a coalition of gun violence prevention groups has launched a $1.75 M campaign to register 50,000 young voters before this November’s midterm elections. Part of that money is going to nearly a dozen local groups, including March for Our Lives Phoenix, who are working to register 18- and 19-year-olds to vote. . .
The Our Lives Our Vote campaign is backed by Everytown for Gun Safety and Giffords, two gun violence prevention groups, and NextGen America, an advocacy group founded by the billionaire Tom Steyer, a major Democratic donor. The coalition says it has registered 27,000 voters through online and mail-in voter registration drives, focusing on 10 states where National Rifle Association-backed politicians are on the ballot. It’s now dedicating $600,000 to local groups organizing voter registration drives, including two groups run by high school students. . . ".
The photo is by Evelyn Hochstein for The Guardian.
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America the Beautiful
America! America!
God shed his grace on thee
And crown thy good with brotherhood
From sea to shining sea!
Katherine Lee Bates
The illustration is by Thomas Hart Benton
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Books of Young America in the GoldenAge
Jerry Griswold, writing in Audacious Kids, points out significant differences between major children's book classics from the USA and England during the Golden Age. Among the great stories In England in that era were The Wind In the Willows, Alice in Wonderland, and Peter Pan. Among the American books that Griswold considers are Hans Brinker, The Wizard of Oz, Little Women, Pollyanna, and Huckleberry Finn. Here is an excerpt wherein he discusses the differences:
"Unlike English counterparts during the same era (1850-1914), American children's books do not offer Arcadian paradises . . .Instead, the world of America's literary juveniles is clouded over by familial problems: its heroes and heroines are orphans (mistreated, impoverished, neglected, and dispossessed) who come from "broken homes", who are adopted into second families where they are likely to be unloved and to encounter parental surrogates who are antagonistic and have to be overcome."
Jerry Griswold -- Audacious Kids, The Classic American Children's Story
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Born Without a Tail -- The New Edition
In the first edition of her book, Born Without a Tail, C.A. Wulff takes us on a journey from childhood through adulthood, sharing tales, (mis)adventures and insights garnered
from a lifetime of encounters with a menagerie of twenty remarkable animals. The new edition has a prologue about Wulff's journey into advocacy; and, it also has several additional photos. Here’s a review by an Amazon reader:
Cayr Ariel Wulff's artful story-telling shines in this delightful memoir of life amid a pack of
frequently ill-mannered though always lovable dogs. Throw in an odd assortment of cats, and chaos ensues as Cayr and her partner get in over their heads, bite off more than they can chew, and generally find themselves railroaded by those who REALLY run the show: their beloved pets! I couldn't put this book down until I'd finished!
Here is a link to The New Edition of Born Without A Tail:
The book cover is by C.A. Wulff; the photo is of Wulff and Waldo, now departed.
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The Morgan library in New York City is a truly fascinating place, especially for book lovers. On September 22, the Lewis Carroll Society of North America will hold their fall meeting at the Morgan, a get together with an excellent agenda for all Alice lovers.
I would think that two of the featured guest speakers will add a unique extra dimension to the meeting: Michael Patrick Hearn and Adam Gopnik. Hearn is recognized as a top scholar of children's literature. His books include The Victorian Fairy Tale, The Annotated Huckleberry Finn, and The Annotated Wizard of Oz. Gopnik is a leading leading writer for the New Yorker, known for his imaginative and insightful articles.
The illustration is by John Tenniel.
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"Rarely do wonder tales end unhappily. They triumph over death. The tale begins with "Once upon a time" or "Once there was" and never really ends when it ends. The ending is actually the beginning."
Jack Zipes -- Spells of Enchantment: The Wondrous Fairy Tales of Western Culture
The book cover is from a publication of Jack Zipes' collection of over 300 fairy tale postcards.
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Why Am I ?
Why Am I ? – a joyous Yelodoggie Book – celebrates self-empowerment and the benefits of inclusion. It helps children recognize and appreciate differences and to embrace that which is unique in each of us.
Yelodoggie travels far and wide, up and down, inside and outside, from outer space to the waters of the sea –gaining confidence and leaving his insecurities behind – while seeking to answer Why Am I different ?...Why Am I Yellow ?
Why Am I ? opens the imagination and perspective of children to the world around them.
We continue searching for a publisher who will love Why Am I ?, recognize its potential, and launch it into the world. This is a book for our troubled times. Our primary motive is wide distribution.
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The Planet Of The Dogs Series
The Planet of the Dogs series of children’s books tell the stories of the first time dogs came to planet Earth to teach people about unconditional loyalty and love -- and to help bring peace from invaders.
"The fantasy involved in the books is appealing . . . The reality involved is also appealing. It involves the universal love of dogs by humans and vice versa, human condition of fighting and war and capacity for love and peace . . . While reading these, I kept wishing I was reading them out loud to a couple of kids instead. I could imagine each night reading another chapter and the kids waiting with bated breath for what would happen next. . ." Karen Boss -- excerpted from her Amazon review.
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We have free reader copies of all the books in the Planet Of The Dogs series for therapy dog organizations, individual therapy dog owners, librarians, teachers and independent bookstores. . . email us with a postal address at [email protected] and we will send you the books.
To read sample chapters of any book in the series, visit PlanetOfTheDogs
The Planet Of The Dogs series (including Castle In The Mist and Snow Valley Heroes, A Christmas Tale) is available from many Internet sources and through independent book stores of all sizes.
The illustration from Castle In The Mist is by Stella Mustanoja McCarty.
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"If you pick up a starving dog and make him prosperous, he will not bite you; that is the primary difference between a dog and a man."--- Mark Twain
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