
A Hard Life . . .
Stories Were Told
"Both the oral and literary forms of the fairy tale are grounded in history: The fairy tale sets out to conquer the concrete terror that emanates from specific struggles to humanize bestial and barbaric forces, which have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tail sets out to conquer this concrete terror through metaphors." Jack Zipes -- Spells of Enchantment
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A Mother Fails Her Daughter and a Fantastic Elf Saves a Life
Rumpelstiltskin is many centuries old. As this and other stories were told over time, they evolved, a reflection of both the story tellers and the life they knew. Written tales followed oral tales and in rewriting these tales, writers made them more relevant to changing times.
The most stunning version of Rumpelstiltskin that I have read was Words Like Pale Stones by Nancy Kress. True naming and the power of words remain very important in this story. The narrator is a courageous and resilient young woman named Ludie. She is the oppressed protagonist, a victim of failed parents and a brutal despot. She lives in a time when lives were controlled by a cruel King.
As in the traditional Grimm's version, the King offers life and marriage to Ludie if she can spin straw into gold. If she fails, he promises a slow and painful death. Kress adds another dimension to the king, one that will run through the entire story.. . ."He only smiled, for of course, he was not mortal.The old blood ran somewhere in his veins, mixed but there. 'Fevered and tainted', some said. Only the glimmerings of magic were there, and glimmerings without mastery were what made the cruelty."
Weaving straw into gold and the magic power of the Old People carry the early part of this legend made fresh. And then comes the chilling revelation that Ludie bears a son who has inherited the dark side from his father, the King. The surprising (to me) resolution was just right. The writing of Nancy Kress creates a dark momentum that flows through all of this outstanding tale.
The top illustration is by Walter Crane.
The bottom illustration is by H.J Ford.
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A Fantastic Witch House of Confection and a Dark Tale of Famine
Amidst eons of uncertainty, tales were passed on that reflected many facets of the world, from the adventures of poor peasants, to the dilemmas of Royal ladies of the Court. They were fueled by imagination. They dealt with poverty, fear, and brutality. They satirized the powerful, amused listeners, and usually gave hope.
Hansel and Gretel is a very dark tale and disturbing tale. The central characters are children who must deal with war, famine, fear, abandonment, cannibalism, a witch, dark forces and death in a rather overwhelming confluence. The story began to evolve with the famines of the late Middle ages (1250-1500); the following centuries that led up to the Grimm's version of the story (1812) were fraught with war, poverty, and chaos.
Warfare, Violence, Everyday Life
"Warfare was a near-constant preoccupation for medieval Europe's governing elites. . . Medieval European society tolerated very high levels of violence as a fact of everyday life. Men (and some women) resorted to force without much compunction in order to achieve their goals, and highly personal motivations could lead up to war.. . . And at all stages in its evolution, medieval European warfare found it easy to accommodate the very personal reasons that lead human beings to inflict pain on each other."
Hywel Williams -- A History of the Middle Ages.
Hunger and Chaos
The Great Famine: "In some regions of Europe, the Great Famine of 1315-17 killed a tenth of the population, shattering social norms and local economies. Villages were abandoned, religious houses were dispersed, and minor feudal lords pawned their land to whoever could pay. Peasants and the urban poor were left to fend for themselves." *The Great Famine was followed by other famines (until 1322 ); the Black Death (1347) and the Hundred Years War (1337-1453). Amy-Davidson Sorkin .. The New Yorker
The painting of a peasant woman sitting in her cottage is by Jozef Israels.
The etching of the dancing skeletons is by Michael Wolgenut (1493).
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Hansel and Gretel
Hansel and Gretel was rewritten and brought to life by Neil Gaiman. Here is an excerpt:
"The woodcutter's family was never certain who was fighting whom, nor why they were fighting, nor what they were fighting about. But beyond the forest, fields of crops were burned and barley fields became battlefields, and the farmers were killed, or made into soldiers in their turn and marched away. And soon enough the miller had no grain to mill into flour, the butcher had no animals to kill and hang in the window, and they said you could name your own price for a rabbit."
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Here is an excerpt from the excellent review of Gaiman's book by Maria Russo in the NY Times: "Written with a devastating spareness by Neil Gaiman and fearsomely illustrated in shades of black by Lorenzo Mattotti, the newest version of “Hansel and Gretel” astonishes from start to finish. . .Their rendition brings a freshness and even a feeling of majesty to the little tale. Some great, roiling essence of the human condition — our fate of shuttling between the darkness and the light — seems to inhabit its pages. . . In Gaiman’s hands, the humble woodcutter’s decision to abandon his children speaks not just to the cruelty that surfaces during desperate times, but to the needless suffering and waste of war."
The illustrations are by Lorenzo Mattotti.
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“There is something else which has the power to awaken us to the truth. It is the works of writers of genius. They give us, in the guise of fiction, something equivalent to the actual density of the real, that density which life offers us every day but which we are unable to grasp because we are amusing ourselves with lies.”
― Simone Weil
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Inspired by the Essence of Beauty and the Beast
Angela Carter wrote, "My intention was not to do "versions". . .but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." To her friend Robert Coover, she wrote, "I really do believe that a fiction absolutely self-conscious of itself as a different form of human experience than reality (that is, not a logbook of events) can help to translate reality itself."
Angela Carter wrote a fresh and compelling new story, The Courtship of Mr. Lyon, inspired by the 17th century version of Beauty and the Beast written by Madame Le Prince de Beaumont. Their are many variations in several languages of this centuries-old tale. It is said that Madame Le Prince de Beaumont wrote this tale as a warning metaphor for young women, preparation for the very real possibility of an arranged and loveless marriage.
Carter's story is fresh from beginning to end. When certain events are recounted -- such as the father stealing the Rose for his daughter -- they have been recreated with great imagination. They come to life. Carter's descriptive powers and woven detail is brilliant. Here is an excerpt, a passage that takes us into another dimension, the dimension of magic realism as we, and Beauty's father, enter the world of Mr. Lyon:
"The door behind him closed as silently as it had opened, yet this time, he felt no fear, although he knew by the pervasive atmosphere of a suspension of reality that he had entered a place of privilege where all the laws of the world he knew need not necessarily apply . . . "
Here is one more excerpt. It is the turning point that takes place when the father leaves the Beast's mansion:
"Great wreaths of snow now precariously curded the rose trees and, when he brushed against a stem on his way to the gate, a chill armful softly thudded to the ground to reveal, as if miraculously preserved beneath it, one last, single, perfect rose that might have been the last rose living in all the white winter, and of so intense yet delicate a fragrance it seemed to ring like a dulcimer on the frozen air.
How could his host, so mysterious, so kind, deny beauty her present?"
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This story was first published in 1979 in The Bloody Chamber, a collection of ten exceptional stories by Angela Carter. They were inspired by ten classic wonder tales, including Bluebeard, Snow White, and Sleeping Beauty.
I have read several versions of the Beauty and the Beast story with detachment. In reading them, I didn't relate to the characters or the final transformation. In Carter's story all the character's, even the dog, came alive, and I cared about them. And for the first time, I was moved at the conclusion. Angela Carter was truly a gifted writer.
The illustration of Beauty and Mr. Lyon is by Hazel Fisher, Deviant Art.
The Rose is from a BBC announcement.
The photo of Angela Carter (1988) is by John Mahler, Toronto Star.
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New Initiatives by Jack Zipes
Jack Zipes is still filled with energy, purpose, and commitment to make a positive difference. Here is the opening greeting from his new website: ZIPES
For years I have tried to intervene in politics through critical theory, work with university students and children, storytelling, theater, and artwork. Throughout all my projects, fairy tales have played a major role because they offer a utopian alternative to the deplorable real conditions of our times. Consequently, my website is my endeavor to share my work with readers interested in changing the world, that is, democratizing democracy and fostering social justice. Keywords in everything I have done and continue to do are — truth and hope in keeping with Herbert Marcuse’s concept of the Great Refusal. I believe we must all reject and resist the degradation of humanity, and so I’ll conclude my brief welcome with a call for all power to the imagination and compassion for all living creatures on this earth! 
Zipes has a new publishing partner, Little Mole and Honey Bear (https://www.littlemolehoneybear.com/); and two rediscovered, anti-fascist children's books: Keedle and Yussuf the Ostrich. Both books just launched through Minneapolis Bookstore, Magers and Quinn (https://www.magersandquinn.com/)
The above illustration is from Keedle. Here is an Excerpt about Keedle from Amazon: "In 1940, two young people decided to publish a strange book with the title Keedle to give Americans hope that the world can overcome dictatorships. To them, Keedle represented more than just Hitler. Indeed, Keedle represented all the dictators in the world then and now."
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Imagination

Though I personally will defend the value of bedtime stories to my last gasp, I have learned to value imagination in a much broader sense. Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathise with humans whose experiences we have never shared.
J.K.Rowling Harvard Commencement Speech 2008
The photo of J.K. Rowling is by Deborah Hurford Brown
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Carterhaugh School Retellings.
Brittany and Sara, the imaginative ladies of the on-line Carterhaugh School of Folklore and the Fantastic have continued to offer innovative workshops and seminars throughout the Corona era. I am on their mailing list and receive ongoing emails that are far-ranging and fascinating. A recent blog featured this headline: Cinnamon Rolls and Crystal Chokers: Six of Our Favorite Fairy -Tale Retellings. Here is the link to this diverse and imaginative blog post.
The photo is of Brittany and Sara.
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Movies and Animation
Netflix is now showing Studio Ghibli Films, including all of the wonderful films by the extraordinary Hayao Miyazaki. My Neighbor Totoro is a celebration of childhood, innocence, and wonder. This is a film of childhood and the imagination that stands alone.
Independent Animation
Extraordinary animation is appearing from around the world. The techniques and subject matter vary with the many talented creators, giving us many wonderful moments. Below are three imaginative animated films.
The illustration is from the animated film Passage Des Oiseaux by Florence Miailhe
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Rhapsodie pour un Pot-au-feu (French beef stew)
A delightful, fun, imaginative, musical treat.
Centered around a crowded eccentric hungry family and a non-stop beef stew preparation
By Charlotte Cambon, with Soizic Mouton, Stéphanie Mercier and Marion Roussel.
Link to Rhapsodie pour un Pot-au-feu Time 3 minutes
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French 79 - The Remedy
A fantasy of design and color
A boy visits an abandoned fairground
Created by Daniel Stanker Album Joshua Out
Link to French 79 - The Remedy Time 4.20
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Selfish
An Animated Awakening
A Meaningful Surprise
Award Winner by Po Chien Chen
Link to the video: Selfish Time 2.27
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More Movies
Mulan .. War, Destruction, and Disney
The trailer seems to tell the story: Visually excellent, simplified version of an oft-told tale, dating back to the fourth to sixth centuries, with an awareness of today's feminism. Here is an excerpt from Manohla Dargis' review in the NY Times. "Set jointly in the Old World and in that newer mythic realm of happily-ever-after female empowerment, this live-action “Mulan,” directed by Niki Caro, is pretty much what happens when a legend meets Disney’s global bottom-line."
Link to the trailer: Mulan
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Children of the Sea
Critics Consensus: "An animated adventure perhaps best appreciated as a visual experience, Children of the Sea is strikingly lovely if less than satisfying on a narrative level." -- RottenTomatoes
Link to trailer: Children of the Sea
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The Tortoise or the Hare book by Toni Morrison & Slade Morrison
This classic story has been retold many times since the days of Aesop. Toni and Slade Morrison add dimension and twists to the classic story with questions about the meaning of winning and losing. The book is fun to read and the illustrations by Joe Cepeda are wonderful, adding to the overall reading experience: Both of the main characters, Jimi Hare and Jamie Tortoise, are a delight for the reader if not for all their neighbors. Here is an excerpt describing Jamie Tortoise.:
"Everyone in the neighborhood avoided him.
Because he was so smart, they said he had no heart.
They called him
stuck-up show-off
too rough, too soft,
stupid know-it-all
selfish do-it-all.
so slick, too quick,
a trick! A trick!
So Jamey studied alone."
The illustration of Jamie Tortoise is by Joe Cepeda.
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If You Go with Your Goat to Vote By Jennifer Altmann
“I wanted a way for grown-ups to talk about the election with their kids,” says Zauzmer, whose book is aimed at 2- to 5-year-olds. It’s never too early to foster excitement about participating in our democracy.
The book follows 13 animals and their offspring as they head to the polls, stand in line, enter the booth, cast a vote, and watch the returns come in. It also shows a duck casting his vote by mail. Included in the book are stickers that say “I Voted” and cute campaign slogans.
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Guion the Lion
Guion the Lion, by Rebecca Macsovits, is an imaginative, colorful, fun fantasy adventure for young children. It teaches tolerance in perception of others. And, it is a labor of love. The exuberant, playful illustrations are by Milena Kirkova. Here is an excerpt from their website:
"Rebecca Macsovits is a Colorado mother of three, including her oldest son, Guion, who happens to have Down syndrome. He inspired her to create the world of Guion the Lion, which shows readers that understanding those different from us doesn't have to be difficult; it just takes a little curiosity to begin a new adventure."
Rae, the Bushbaby, learns from Guion to use her imagination and see things in different ways as Guin takes them through a world of animals and fantasy.. Additional pages offer ideas for play including Story Questions, Scribble Games, and Spy in the clouds -- all to stimulate thoughts about perceptions and the way we see others.
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This Unicef video of Refugee Kids Gave Me Hope
Profiles of 4 refugee children who are all moving to reading and possibilities.
Unicef supports refugees in multiple ways
Here is the Link: Refugee Children (2.07 minutes)
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PGI -- Paws Giving Independence
PGI’s service dogs benefit individuals with spinal cord injury, muscular dystrophy, arthritis, developmental delays, cerebral palsy, balance problems, and more. PGI is run exclusively on public donations and endowments.
PGI places its dogs free of charge. . . Most of PGI's dogs are rescued dogs. They are trained specifically for an individual's needs. The training process for each individual takes more than a year. The bonus is unconditional love.
PGI. . . Paws Giving Independence has been growing and helping people in need since 2008, over ten years!
Congratulations to this wonderful non-profit, volunteer therapy service dog organization that began at Bradley College (Peoria, Illinois) with two dog-loving nursing students. The young girl in the photo is going home with her PGI dog, Monty. Here is the website link: PGI
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Saving a Dog...an excerpt from C.A. Wulff's blog, Up On The Woof
"There is nothing more joyous and grateful than a dog who has been saved. Dogs don’t keep those sorts of feelings to themselves, they want to share them. That dog becomes the most loving, faithful companion you can imagine. He will protect his new family in times of danger and comfort them in times of sadness. He will teach the children in the family to love and respect animals. Maybe knowing him will inspire a child to grow up to be a vet, or a zoologist. The dog will bring hours of laughter and joy to his people. He will keep them healthier in body, mind and spirit..."
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Castle in the Mist -- the world of adventure and the human-canine connection.
"Do you think that it is possible for dogs to stop a war. . . I said in my review of McCarty's Planet of the Dogs (Volume I), 'Author Robert J. McCarty has created a charming fantasy-allegory that can be read and understood on at least two different levels. Children will enjoy the story about dogs who come from another planet to help people on earth. But under the surface are the important messages of friendship, love, loyalty, and how to overcome evil with good.' The same things are true as the story continues in Castle in the Mist. The book is well written and easy to read. It will keep you turning the pages to find out what happens next, and, as with Volume I, leads to a satisfying conclusion." Excerpted from a 5 Star Review Review By Wayne Walker in Stories for Children Magazine.
We have free reader copies of all the books in the Planet Of The Dogs series for therapy dog organizations, individual therapy dog owners, librarians, teachers and independent bookstores. Email us with a postal address to [email protected] and we will send you the books.
To read sample chapters of any book in the series, visit PlanetOfTheDogs
The Planet Of The Dogs series, including Castle In The Mist and Snow Valley Heroes, A Christmas Tale, is available from many Internet sources and through independent bookstores of all sizes.
The illustration is by Stella Mustanoja McCarty.
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"The one absolutely unselfish friend that man can have in this selfish world. the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog."-
Samuel Coleridge (Table-Talk 1830)
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